It may be darker than ‘Heartwork’ or ‘Slaughter of the Soul’, but Necrophobic’s ear for catchy hooks shines through even within some pretty sophisticated narrative structures. Then, in the mastering session, the wrong song got dropped, the instrumental song "Shadows of the Moon". Nocturnal Silence: Necrophobic: Amazon.ca: Music. The Nocturnal Silence, an Album by Necrophobic. Many people like to credit fucking Behemoth for this, but fuck that, Necrophobic did it first and have always done it better. Genres: Death Metal. Sometimes less is really more: Anders Strokirk sounds gruff, yet his coherent rasp makes me convinced he’s not much of a Jesus fanatic. One of the real gems of this album is the title track, "The Nocturnal Silence." The band was formed in 1989, and had gained much attention through the release of two demos, [i]Slow Asphyxiation[/i] and [i]Unholy Prophecies[/i]. There are certain parts where it definitely stands out, such as in the opening parts of Father of Creation and the title track, but as a whole, it resonates below the rest of the music. The album does a great job of constantly changing, and keeping things varied. Speaking of those, they are not banal in any way, with some complexity, never sounding boring or over-technical. Necrophobic The Nocturnal Silence review Death Metal. Broadly speaking the origins of American death metal lie in thrash, and the origins of Scandinavian death metal lie in a blend of d-beat and NWOBHM. But don’t be fooled! It is more death metal oriented but the riffs and guitar solos are very well executed. Discover releases, reviews, credits, songs, and more about Necrophobic - The Nocturnal Silence at Discogs. This is a classic of Swedish extreme metal that has been rightly recognised as such. For instance, the title track (my favorite on the album), broods into hellish territory with the most malevolent clean guitar prod I’ve ever heard. But even though I love the second demo and EP, I just couldn't expect they'll be able to deliver such a stunning recording. But those two albums I've mentioned in the beginning are for me the most brilliant and perfect; only "Altars of Madness" and "Testimony of the Ancients" can rival them. In general, the songs offered typical death metal melodies that intertwined with a certain degree of rigour. Up Next. Of course, another important aspect of this album is how melodic it is. That's my opinion and whether you agree or not, I don't give a shit. He does a decent job, let me just say he's a lot better than Tobias Sidegård who is, at best, a pretty mediocre black metal vocalist (by the time he took over vocal duties, Necrophobic were playing black metal.) The riffs here either of the catchy variety, the doomy, drawn out variety, or the classic tremolo-picked variety. Clearly, The Nocturnal Silence is a riff-driven album, but it’s not a ‘’riffs for riffs sake’’ album. If I was FORCED to complain about one single thing on The Nocturnal Silence, it would be that the bass is not as audible as I wish it were. Lea reseñas de productos sinceras e imparciales de nuestros usuarios. Necrophobic never drifted far away from the blasphemous noise they crafted early on, yet it was guitarist David Parland who was responsible for the most brilliant offering of the band. While Necrophobic have always followed the dark path, this is easily the band at their darkest and most majestic. Necrophobic is a death metal band. NECROPHOBIC - The Nocturnal Silence. This page includes NECROPHOBIC The Nocturnal Silence's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, buy online: ebay and amazon, ratings and detailled reviews by some experts, collaborators and members. We hear nothing but the sounds of Blackmoon's eerie keys being played, and with every quiet note a growing intense feeling of unsettlement begins to arouse in our minds and hearts with weighted distress. However, my reaction at the end was some what different. So, any weaknesses of "The Nocturnal Silence"? One fine example is the title song, with its slow opening melody, which quickly transforms into fast, uncompromising riffing. There is nothing overly polished about it, it simply manages to retain a dark intonation that many death metal albums only wish they could have. But trust me, this album is fucking heavy and down right evil! Necrophobic have always been the underdogs to me when it comes to their Swedish contemporaries (ie. By 1993 Swedish death metal was something truly to behold. The prevalent guitar style is blended with some great melody touches, which unlike most bands today, are not annoying or cheesy in any way. The riffs here are fast and depraved or thrashy and vile – very sharp, but not thin or thick like Dismember’s chainsaw distortion. Thus, they could not be compared with their highly interesting yet rumbling compatriots of Unleashed, Dismember or Grave, although the sound of Necrophobic revealed a strong affinity to death metal. If playback doesn't begin shortly, try restarting your device. Anyway, Necrophobic had created an album which was more than the sum of its parts. Share. The only overly melodic themes present here appear through sinister, yet classy solos that counter the gruff riffing, yet you would never call this record a melodic death metal record - the amount of grit present here should remind you that The Nocturnal Silence is still a death metal album at its core. Every line sounds genuinely evil, and this is the icing on this death metal cake of awesomeness. I’m surprised that bass isn’t more prominent in the music; you really can’t hear it all that well. Obviously, before this release, they were making full, solid death metal but when they started recording this, black metal started to influence them. [i]The Nocturnal Silence[/i] is an incredibly strong debut album. As a complete work The Nocturnal Silence is extremely consistent, each of the nine tracks destroys. The Nocturnal Silence is Necrophobic's mephistolphelian debut album, and it truly precedes any of the bands successive releases. Necrophobic were a bit late to the party, but their present was nonetheless welcome, even if it wasn’t the most-something kind of present. It emphasized the guitars without neglecting the contributions of the other band members. The devilishly genuine elements of the music, the expansive and captivating atmosphere, the profone themes and lyrical content, they all speak the loudest. No happy, Holymarsh-like annoyances are to be found here. Despite being recorded in this well-known studio, the album definitely has its own atmosphere and is not typical of most Swedish Death Metal. His style is rather unique; downpicked thrash-inspired mayhem, grinding mid-paced churning and rapid tremolos are all part of his repertoire. The emphasis here is in the evil sounding DM riffs, with their particular grinding sound, trademark of every death metal album. As an example, the first riffs of "Unholy Prophecies" demonstrated this strength of the band. When I got this album, I was expecting a real blast. I think one of the major winning aspect of the album is the fact how strong melodically it is, but without ending sugarry or boring. Genres: Death Metal. Genres: Death Metal. http://www.fromthedustreturned.com. The drums are great and varied, a lot of credit should be given to their drummer as he ties this evil masterpiece together wonderfully. These are like those vocals, but more black metal-oriented. This is gonna be a solid piece of black metal." There are two Swedish death metal albums that I absolutely worship and can't imagine life without them. The story is that after the recording of this album, the band felt that "Inborn Evil" didn't get the right feeling as they wanted and decided to drop that song from the album. Therefore, Necrophobic has never released a weak output so far. Both are very emotive, but the one of The REd in the Sky is Ours is a bit unrefined. The production is very good, being clear enough to hear everything well but also raw enough to convey the right feeling. i think this is their best effort though my first encounter with Necrophobic started with Darkside. Even if the whole album is played in mid tempos, or even has slight Cemetary's "An Evil Shade of Grey" feeling here and there, no way it's boring or monotonous. But don’t be fooled! For some reason, the second mastering were only pressed once and that is the American pressing, licenced by Cargo Records. Right from the beginning, they acted in a very professional manner while writing rangy and filigree riffs. View credits, reviews, tracks and shop for the 2018 Vinyl release of The Nocturnal Silence on Discogs. The vocals are another highlight of Necrophobic’s sound. Tap to unmute. Most of the riffs are tremolo picked melodies, in fact it's almost all tremolo riffs. Necrophobic! The grounds below our very feet open wider than the jaws of the earth during a world-shattering earthquake, and Necrophobic whirls a barrage of tremolo-picked riffs at our ears as we seemingly fall forever into the abyss... Picture that: hordes of demons and all other evil shitlings storming the gates – laying waste, raped angels, and a final battle to end all battles. Every track on this album is great, there is absolutely no filler at all, even the short instrumental retains the eerie atmosphere nicely. Necrophobic never drifted far away from the blasphemous noise they crafted early on, yet it was guitarist David Parland who was responsible for the most brilliant offering of the band. Songs: Awakening..., Before the Dawn, The Ancients Gate, Father of Creation, Where Sinners Burn.. Members: Joakim Sterner, Anders Strokirk, Sebastian Ramstedt, Johan Bergebäck, Allan Lundholm.. View all reviews for Necrophobic - The Nocturnal Silence. Then there's also brilliant work of the vocalist Anders Strokirk, who's been new in the band and lasted only one year, but as much as I also like the present vocalist, Tobias, Anders had amazing voice, that fitted perfectly to Necrophobic style and Swedish death metal (remember he also contributed to such bands as Hetsheads and Mykorrhiza, but it's not the same league). His leads - like the one in "Sacrificial Rites" or "Before the Dawn" - are fantastic and only David Blomqvist equals him! Watch later. Released in 1993 on Black Mark (catalog no. The Nocturnal Silence is the first album recorded by Swedish Death metal band Necrophobic. I am a fan of the band's entire discography, especially the subsequent "Darkside", but absolutely NOTHING comes close to topping the carefully calculated work of abomination that is The Nocturnal Silence. The album seems to lose a little bit of its power by the end, but nothing significant enough to hamper the progress. The nine compositions all have their fair share of tempo changes, yet every chapter of this tale makes perfect sense – be it the rapid-fire onslaught of ‘’Sacrificial Rites’’ or the masterful crafted ‘’The Ancient Gate’’. Necrophobic truely know how to maintain their sound as a whole. The whole album exudes a cavernous atmosphere to it. Good production provides that crunchy sound to the riffs. The vocal delivery on this album is really nothing short of stellar. The soloing here was excellent. With every harmonic chord and note struck, you will soon be ordinarly humming the melodies and be completely encompassed by the brilliance of this album. Some DM bands have that concept in full domain, and others simply overdo it and we end up with albums like “A Banquet in Darkness”. Whatever it is, these vocals really work wonders. Watch later. It's evil to the bone. While Necrophobic have always followed the dark path, this is easily the band at their darkest and most majestic. At first listen it may seem somewhat rudimentary in form. Come forth and bring us EEEVAAAL! The drum work, empty of blastbeats and other features of standard death metal violence proves that. Probably the reason for this is because Dave was involved with the Swedish black metal band Dark Funeral, whom he left this band for. Though the album has been remastered, it still sounds great in its original form. Read honest and unbiased product reviews from our users. Find helpful customer reviews and review ratings for Nocturnal Silence at Amazon.com. It was a good debut and the band indicated its huge potential. The only overly melodic themes present here appear through sinister, yet classy solos that counter the gruff riffing, yet you would never call this record a melodic death metal record - the amount of grit present here should remind you that The Nocturnal Silence is still a death metal album at its core. The targeted and talented band did not eschew to deliver stormy high speed parts as well as a few keyboard-soaked sequences and the title track served as a prime example for this statement. "Unholy Prophecies" has a few rhythms which recall Slayer when they were good. Sure, that unrefined quality adds to the charm of it, but it doesn’t quite add to the atmosphere like the ones on The Nocturnal Silence do. It’s mostly mid-tempo stuff, actually, but that tempo is what really defines the atmosphere in my opinion. The Nocturnal Silence is genuine in it's vision, and massive in it's scope. The Nocturnal Silence is Necrophobic's mephistolphelian debut album, and it truly precedes any of the bands successive releases. The other one is titled "Like an Ever Flowing Stream". They adeptly build tension around each track that leads to a climax which offers a conclusion to one section and signposting to the next. The production has that typical Swedish death metal sound, clear and dry, the guitars are a tad fuzzy but are very well defined, creating a dark atmosphere. It was produced by Necrophobic and Tomas Skogsberg. It’s also a present factor in some thrash bands like Heathen. The vocalist sounds as if his throat has been shredded by broken glass and the result is very good. The first song already displays a decent variety of speeds. The song has a certain doomy quality, until things speed up. The production probably was some sort of bridge between the true genres if you will. Vea reseñas y calificaciones de reseñas que otros clientes han escrito de The nocturnal silence en Amazon.com. unleashed on ‘’Inborn Evil’’. Usually, heavy and fast. The albums continues on with blasphemy and an ever-darkening atmosphere. The lead guitarist should be more present, considering the length of the songs (around 4 and 6 minutes), which provides time enough for more elaborated solos. The solos are mostly on the slower, melodic side as well, with lots of emphasis on mood and very little emphasis on being “fast” or “brutal.” On the contrary, this album is about being evil and dark instead, which is why the black metal riffs work so well with the death metal parts of the album. Speed, midpaced crunches, acoustic interludes are all here. BMCD 40; CD). On all other copies, track 5 is a song called "Inborn Evil". They are in the midpoint between black metal and death metal. Infact, it requires full engagement to be summoned into this realm of oblivion, so prepare yourselves. Released 2 August 1993 on Black Mark (catalog no. Tobbe Sidegard's vocals are hideously catchy, and if I had not known his name, I'd think Lucifer himself were proclaiming for this band. In many ways their debut LP ‘The Nocturnal Silence’ (1993) is the true genesis of melodic death metal. No matter how short they are, the excellence is there. If anything, I’m reminded a lot of the vocals on Morbid Angel’s Altars of Madness, which is a comparison that most bands should strive to attain. To me, Necrophobic have always been a black metal band. That same year Necrophobic released The Nocturnal Silence which shoved the commercial pressure that came with Earache’s Columbia distribution deal up Christ’s ass where it belongs. Released 2 August 1993 on Black Mark (catalog no. But first and foremost, the Swedish combatants for Satan have gained their name due to their strong albums. Music Hello, Sign in. While most old school death metal albums aren’t too versatile, The Nocturnal Silence is versatile enough considering the style. Hell I can't write lyrics this good, and English is my first language, so I have no excuse. All in all, “The Nocturnal Silence” meshes DM and melody in a very good, entertaining way. But I just love this sound, especially they way guitars cut like razor sharp knives. I once thought this album was a rambling mess, but it is in fact pinpoint in its delivery of grinding guitars and the barking of ex-vocalist Anders Strokirk. Genres: Death Metal. As darkness falls The album begins with a short keyboard intro, that could easily fit in a horror movie. Then, the Satanic ritual begins as the song takes off. But Sterner and his alternating band mates always scored with an extra dose of malignancy and insidiousness. In many ways their debut LP ‘The Nocturnal Silence’ (1993) is the true genesis of melodic death metal. The main difference is that Necrophobic was able to incorporate different influences to craft an entirely new, evil sound, whereas At the Gates let the melodic influences limit what they could do with their music. The sound of the drums is clear, though the double bass is buried pretty badly. Basically I love this EP - it's the band at the height of their evil powers, perhaps even more so than "Nocturnal Silence." Thus we get death metal with black metal influences hence: blackened death metal. “Sacrificial Rites” alternates those in a very intelligent way. The Nocturnal Silence is not the fastest, heaviest or most evil offering – but it does feature a healthy balance of such aspects. Account & Lists Account Returns & Orders. i think this is their best effort though my first encounter with Necrophobic started with Darkside. When you first sit down to listen to the music, and that's what you have to do when listening to this album. BMCD 40; CD). Absolutely essential. The compositions lacked a bit of surprising elements and did not offer the amazing level of intensity that some of its successors possessed. Necrophobic managed to create a masterpiece out of Nocturnal Silence. "The Nocturnal Silence" is an album, that has been perfected in every detail and each song from it is able to give me thrills. "As darkness falls But “The Nocturnal Silence” proves to be an exception. The vocals are much more in the black metal territory, instead of the standard death metal growls. Necrophobic seems to run the gamut of metal in this album, creating a dark, melodic, yet crushing blend of death, black, and thrash metal. Up Next. On every back cover and in every booklet of this release (not the re-release from 2002), it says that track 5 is a song called "Shadows of the Moon". My reaction was similar to: "Alright! It may be darker than ‘Heartwork’ or ‘Slaughter of the Soul’, but Necrophobic’s ear for catchy hooks shines through even within some pretty sophisticated narrative structures. Whatever, the reason, this is a solid piece of blackened death metal, which really did, go onto define a genre. There are melodic riffs, acoustic interludes and pretty good soloing. The soloing is purely melodic. Read honest and unbiased product reviews from our users. Their debut, The Nocturnal Silence, is a classic Swedish death metal album that masterfully takes their death metal sound and mixes in some black metal riffing to create a wonderfully dark sound. Absolutely essential. This band has a nice eye for melody. Don't get me wrong, I'm not saying death metal solos are devoid of talent. Summary: if you’re looking for a dark, melodic, and fucking evil-sounding death metal album, look no further than The Nocturnal Silence. This album is probably best described as the Swedish version of Altars of Madness. This may be the first album of its kind. This is one of this CD’s weaknesses. The basis of this music is fairly basic thrash. But repeated listens offer new corners and passages one may have missed first time around. Not only is the musicianship excellent, the songwriting was well thought-out and Necrophobic easily achieved what they set out to do. Just listen to Blood Red Throne if you need proof of this but the solos on here really do sound like the stuff you're going to find on a black metal album. Knitted into this compositional technique is their use of dynamics, which was an underused potential within death metal at the time. Characterized by massive downtuned guitars, shouted death roars and influenced by D-beat, this style of death metal had become a well-known phenomenal. Now Darkside… that utilized these three colors damn well, but we’ll get to that later. Dark and delightfully devilish, The Nocturnal Silence found Necrophobic ditching the Sunlight buzzsaw sound for a sharper one of their own over nine songs of impeccable death metal. Necrophobic - The Nocturnal Silence. What sets them apart is that they’re one of the first bands to pioneer the blackened death metal sound that’s so prevalent today. This is a very petty dissatisfaction, and was rarely even considered when determining my final verdict of The Nocturnal Silence. Why Necrophobic became black metal who knows, perhaps it was subtle and they didn't really notice it. I’d argue that the first six compositions are the most nuanced here - the calculated, yet surprising approach Necrophobic aimed for should ease the listener with a vague sense of what to expect once this album goes into action. In fact, I wish there were more moments like that on the disc....Heh, I never would have thought I would be asking for MORE piano from a death metal band. Find helpful customer reviews and review ratings for Nocturnal Silence at Amazon.com. To put this in perspective, we have ourselves an album where the positives outweigh the negatives, and by outweigh, I mean completely crush. Info. Nope. Relying less on fast paced brutal blasting, and more on creating atmosphere with eerie melodies. Every song here is a stab against all that is holy or a virgin; a wise choice of enemies. Drums follow along with blast beasts, checkered timing, and fun beats to drive along with. June 15th, 2003. Info. The reason for this was, until last night, I hadn't heard anything from Necrophobic which could be classed as "death metal" and in fairness, this is their only full-length which is closest to death metal. The colors are all good: red, purple, and black are a great combination, but that just looks way too cartoony. If The Exorcist didn’t need a demonic being that was all incoherent, why would this album need one? The comprehensive sound would equal out to something like this: 25% drums, 25% guitar, 30% vocals, 20% bass. Instead, they guarantee an above-average quality standard. Here, the fast tremolo riffs dominate. The vocals are easily heard with coherence of the drums and guitar, but the bass is swallowed in the mix. And then...it happens. It completely the opposite - it draws attention and devours like a beast that just crawled out from the abyss. Finally, "Where Sinners Burn", begins with a great solo. This is how the band wanted the album to be. Clearly, The Nocturnal Silence is a riff-driven album, but it’s not a ‘’riffs for riffs sake’’ album. Apart from some stereo effects (listen to the extremely furious "Sacrificial Rites"), the vocals did not add a special flavour. Necrophobic knew how to drag you into the songs while opening the gates to a lightless kingdom. I am a fan of the band's entire discography, especially the subsequent "Darkside", but absolutely NOTHING comes close to topping the carefully calculated work of abomination that is The Nocturnal Silence. This cd was not meant to be brutal, but dark. When they do show up they are absolutely wonderful, but they are few and far between, and often are very short(maybe 20 seconds of a 5 minute song.) It is a real shame that many people are unacquainted with this album, as it is a true classic. Tap to unmute. The last three compositions sees the band zooming in on aspects you could briefly experience earlier thorough the album. My favorite is that one at “Where the Sinners Burn”. Approx. The songs are pretty diverse in their structures. “Awakening” is pure guitar delight. However, it really is ridiculous that people still call them death metal; after all, Hrimthrusum was a black metal album, pure and simple. Necrophobic have been around for as long as I have (18 years). BMCD 40; CD). Lots of blasphemous hate is spewed out of the mouth of their singer. "Awakening" begins with some spooky keyboards, soon joined by some slower leads before the churning guitars herald the apocalypse. Featured peformers: Tomas Skogsberg (producer, engineering, aka_text mixing role_id 1327.aka_text), David Parland (guitar, keyboards), Joakim Sterner (drums), Anders Strokirk (vocals), Tobbe Sidegård (bass, backing vocals), Urban Skytt (cover art), … Whilst Dismember and Entombed poached the riffs of Autopsy and gave them a d-beat sheen and some melodic sensibilities, Necrophobic revamped early Slayer with a neoclassical flourish. Written for http://thenumberoftheblog.com/, There are classic albums and there are cult albums. If playback doesn't begin shortly, try restarting your device.
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